By Robert B. Ray
here's a secret: in 1939, while the Hollywood Studio process, on the height of its strength, produced such motion pictures as Gone with the Wind, Ninotchka, Stagecoach, The Wizard of Oz, Mr. Smith is going to Washington, and Wuthering Heights, the films' number-one box-office allure used to be no longer Gable, Garbo, Wayne, Garland, Stewart, or Olivier. In 1939, 1940, and 1941, the most well-liked performer within the American cinema was once Mickey Rooney, who owed his luck essentially to a reasonably-priced MGM sequence that targeting his personality, Andy Hardy.
this is one other secret: sooner or later some time past decade, movie stories, as soon as the main leading edge of the arts disciplines, started to harden right into a catechism of predictable questions and solutions. by way of committing itself completely to rational critique, movie reports left itself overmatched through the significantly renowned, seductive, and enigmatic representations that represent the films. And by way of eschewing experimentation with the types of feedback, movie stories sarcastically minimize itself off from the hot equipment of study and writing brought on through the 20 th century's revolution in communications applied sciences.
Robert Ray's e-book approximately Andy Hardy proposes that alternative routes of considering and writing concerning the videos could be derived from the arts' an identical of science's natural research--the avant-garde arts. Drawing at the Surrealist culture, with its use of video games, likelihood, fragments, anecdotes, and university, Ray invents for movie reviews new kinds of learn that imitate the cognitive behavior inspired by way of images, desktops, and the cinema itself. In doing so, he finds that even the Andy Hardy video clips, a regimen manufactured from the Hollywood Studio approach, have been, in the end, wealthy and mysterious.